Martin Gilbert is probably one of the most prodigious historians alive. This book required interviews with the 732 survivors it profiles ("Boys" includes both men and women) and those who knew them after the war. Some were as young as eight or nine when the war started. Many themes Gilbert covers are like those one can read in other personal Holocaust histories. But the experiences in each case are unique.

Martin provides two statistics I find particularly haunting. While 6 million Jews died in the Holocaust--including victims of pre-war pogroms, ghettos, concentration and death camps and death marches--only 100,000 survived the camps. And while Britain agreed to take in 1,000 Jewish "children" under the age of 16 after the war, only 732 could be found alive.

But for me, the most fascinating part of the book is the repeated confirmation that those who returned to their homes after the war found the same kind of murderous hatred among their former neighbors as Jan Tomasz Gross describes in Neighbors.

In other words, Jedwabne was not unique. Gross has himself said as much and plans to write more on the subject. But Gilbert also confirms that murders of Jews by locals happened during the war all over Poland, Lithuania and Latvia, and to a lesser extent, in Hungary. It also happened after the war all over Europe--especially in the East. Returning Jews found neighbors who wished them dead, and in thousands of cases killed them. The "boys", obviously, survived. But many lost brothers, parents, friends, after the war, in Poland, Hungary, and elsewhere. Sir Martin Gilbert gives us the living proof. Alyssa A. Lappen

An amazing book. Gilbert did not so much write a book as he did weave together masterfully the story of 732 young people whose only connection was the terrible tragedy that befell them. Gilbert, or rather his "Boys", paints a vivd picture of pre-Holocaust Jewish life in eastern Europe and makes one realize that Hitler destroyed more than six million lives. The story is terribly depressing and yet uplifting when one realizes what "the Boys" have done with their lives since 1945

An outstanding piece of writing, one that conveys not only facts, but also emotions of a time when compassion and human decency were rare or absent from the world of these boys. Martin Gilbert has the ability to place one at the scene of the event, with a quiet passion that is not matched by many other writers of this period. His book, "The Holocaust" is written in much the same manner, as he personalizes the horrific events depicted and he does not permit you to count the 6 million Jewish dead as a number. They are and remain people like you and me. "The Boys" is a similar tour de force of writing, compelling reading which carries one along, not permitting you to put the book down until you are done. It is a disquieting book regarding human behavior, and yet the success of the children described is uplifting. Read the book and ensure that such events do not take place again

What an amazing book.I would give it a sixth star if I could. I grow up in Hungary and left the country 15 years ago. I have been searching high an low for a good cookbook.This is the one. But this book is so much more than a cookbook. The whole hungarian foodculture is there,the traditions, everything. I warmly recommend it to anyone who wants to try the hungarian cousine and are ready to learn a little bit about the country as well.

The best book on authentic traditional Hungarian cuisine I have seen so far. Very well written and illustrated. Aniko Gergely did an excellent and thorough job on covering the origins and traditions of temporary Hungarian cooking that developed during the last centuries. The list includes ALL the food that I would consider Hungarian and enjoyed when grew up in Budapest. I found the information accurate, the photos abundant and of very good quality. Any serious culinary traveler planning to visit the country and stay away from burgers would benefit too. If you need a single book to understand the soul and culinary traditions of the Magyars, this is it.
Recommended without hesitation.

Very comprehensive! I'm impressed.

I purchased this cook book for my father as a Christmas gift. My father is from Serbia. His mother came from small town nestled between Hungary and Romania called Novi Knezavac, so Hungarian cooking was very much apart of my fathers family upbringing. This cookbook was the perfect gift for him.

The book is comprehensive, in that it explains the differences and origins of certain ingredients, like peppers, and ground paprikas. I know my father only cooks stuffed peppers in Toronto when he is able to find certain stores in the city that carry Hungarian peppers towards the late summer and early fall seasons. There is a very good reason for that... and the book explains this. Some peppers hold their shapes better during cooking, but more importantly some don't over power the dish as virtually all other peppers would. The book also talks about many other ingredients such as plum brandy (and how it's made), cheeses, wines, and wild mushrooms etc etc.

"Terroir" is a word the French use to describe how the natural characteristics of a place influences the taste of whatever is grown there. This term is certainly not lost in this cookbook. Whether it be the cherries, apricots, plums, paprikas, wines or even wild mushrooms, this book describes the different varieties that are found throughout Hungary.

This book is a gem. Of special note are the recipes for goulash, dumplings, strudels, sauerkraut, beigels (walnut or poppy seed loafs), or my all time favorite cake "Dobos torta". The first time I had Dobos torta was in a Opatija Croatia back in 1965. I fell in love with this cake. There are perhaps only 5 bakeries in Toronto that make this classic cake. I only have one very old French cookbook that has a recipe for it... and at that there is only one picture. Well to my surprise this book has 15 pictures of the finished cake and photo's of how it's made. I've been looking for a comprehensive recipe for this torta for years. To my surprise this book has the best one I've ever seen. Not only that... the origins or history of this cake is in this book too. My fathers family had always known this cake was from Hungary... but no one seemed to know how it got it's name. My late uncle said it was derived from the word "drum" or "dob" in Hungarian, because the caramel topping when hard looks like the skin of a drum. Well this commonly believed story is not true. The cake is named after a late 19th century master chef called Jozsef C. Dobos. His famous recipe for the cake was passed onto the Budapest Trade Association after his retirement in 1906. So this famous torta, popular with the Austrian royal family finally became known to the world... a very interesting story behind the creation of one of Europe's classic cakes. This is just one of many tidbits this book contains.

The book contains a great deal of very colourful and beautiful photographs (a must for a good cookbook). To sum it up... this cookbook is one of the best I've purchased in years. If you are serious about Hungarian cuisine. Then this book is for you.

As the other reviewers have already stated, this is an action packed adventure of a young man fleeing the Nazis. Leo fled from his native Vienna, to Germany, Luxembourg, Belgium, France,and Switzerland. In this book, he describes the Austrians as welcome participants in the Holocaust and not as the victims. Austrians treat themselves as the first victims of Hitler's aggression rather than the willing helpers of Hitler. As he fled, other nations tried to avoid Hitler's refugees. No one welcomed the outcasts from the Hitler regime.
One comment about the nature of this book. Most of the victims did not know what was going to happen when they embarked on the train journey to the camps. Leo states it in the narrative. I don't think even he knew, other than the future was bleak. It lessens the story narrative as he pictures the death that awaits these people. This should have been told at the end.
This is a great book to read. It shows the suffering of the Jews and those who opposed Hitler.

full of surprises, turnes and twists is this true story of World War 11. My heart pounded as I read Leo's harrowing tale of escape. It is with both pleasure and pride to say that I personally know this man. He has been a friend of my family for many years. I never knew the true extent of what he had to endure just to survive until I read this book.

I came across this book at a Baltimore bookstore on the day the authors were doing a signing, and was very pleased. This is the story of a young Jewish man and his flight for life across Europe during the Nazi invasion. The book is gripping as Mr. Bretholz is dealt one fate after another during his many attempts to outrun the Nazis. The tension mounts as you follow Mr. Bretholz through the horrifying adventure of Nazi Germany and run in his footsteps. I've read numerous books about World War II, but this is the first that to give me a true sense of seeing the horror first hand as it unfolded. It is a tragic personal adventure that will bring you to tears as you experience the inhumanities and tragedies of the war and then share in the author's final triumph of coming to America. I've read two memoirs this year, this one and Frank McCourt's Angela's Ashes. While they are two very different tragic stories, they are among the better books I have read in quite some time.

My four stars aren't meant to detract from this novella's favorable reviews. Rather, I'd like to suggest that readers tackle this work after they read "Fateless." There's allusions to this more accessible novel in the novella; the latter seems to me more the interest of a philosophically inclined reader's group. While "Fateless" can be read on one's own and grasped, I believe that "Kaddish" would be better suited for collective study and discussion.

It offers few of the pleasures of fiction. Rather, with its considerations of Adorno, Hegel, and Bernhard, and with its nods to the prose of Beckett, Camus, Sartre, and perhaps Kafka, it's more a meditation/fulmination than a novel with an easy plot trajectory. It offers food for thought, but may be rather indigestible if gulped in one sitting. This is more the type of work that Nobel laureates get rewarded for late in their careers; the popular acclaim granted "Fearless" by contrast would first gain an audience for this author, in my estimation.

Again, this is not to detract from Kertesz' achievement, but simply to point out that (at least in English), this compressed, concentrated message may better be shared if taken in smaller, diluted portions among like-minded friends. (My impression is that in the original Hungarian, the agglutinative nature of that language would make this an even heavier, more weighty lump of prose.) It would serve as a fitting challenge after you've all read and discussed "Fateless." As I suggest, this novel can be contemplated with profit by one's self; this smaller work is best divided, nibbled, and ruminated over bite by bitter bite.

Definition: Kaddish -- A prayer recited in the daily synagogue services and by mourners after the death of a close relative.

In this novel, or more appropriately novella (it's less than 100 pages), the narrator, a failed writer and a holocaust survivor, writes what is ultimately a love letter to his unborn child, his child not born. He begins by reflecting on a night some time ago at a writer's retreat in Soviet-era Hungary when perhaps he first started pondering the context of his existence with one obsessive question in mind -- "my life in the context of the potentiality of your existence" with "your" referring to his unborn child. This is not a question the narrator necessarily wanted to address, but he had little choice as if being pulled by his unborn child, being "dragged. . . by this fragile little hand . . . down this path." What has led to this point in life where he will never see the "dark eyes" of his own little girl or the "gay and hard eyes like silver-blue gravel" of his own little boy.

This is not a nice, linear narrative. Instead we enter a dense story full of stream-of-consciousness with all of the narrator's philosophies, emotions, obsessions, fears and contradictions. We learn about his failed writing career, his school experiences, his relationship with his father and, most importantly, his relationship with his wife (now his ex-wife), the backbone of the narrative. Of interest to note, the author's concentration camp is never addressed in detail but is only referred to indirectly. The effect is intensifying as the holocaust becomes an evil lurking in the darkness, driving the narrator in ways only partially observable.

Ultimately, the narrator evolves his obsessive question from questioning his existence the context of his unborn child's potentiality to "your nonexistence in the context of the necessary and fundamental liquidation of my existence." And while his wife has her theories on what is going on with the narrator's retreat into darkness, the narrator can only leave us with the facts as they are and the conclusion there is an inscrutable survival instinct in us that drives us to survive even when we want to die. And the results of our survival instincts can make for a messy life, including the inward retreating, the severed relationships and, in this case, a divorce and a child not to be..

And then the heart-breaking realization may come to the reader of all that could be in our world. But in the end, sometimes we need to say Kaddish for both our children who die and our children never meant to be.

This book feels like a hundred-page sentence although there is punctuation and even a few paragraph breaks. It has to be read carefully as it is poetry and philosophy combined. While it has no plot in the normal sense, it beckons you into its world. It is a monologue delivered by a lonely, aging writer who is wrestling with the ghost of his failed marriage and with his secular Jewish identity years after the Holocaust. The monologue has a comic edge: the whining repetition about how a woman left long ago makes the reader feel slightly superior. But the narrator's repeated gripes are ultimately not intended to make him seem childish; they show us how we cling to the past and to other people when confronted with the terrifying, unfathomable realities of racism and loss.

No philosophical truths are uncovered. Rather, philosophical power is unleashed through the exploitation of contradiction, like the splitting of the atom. Do I exist? Does that mean anything? A negative answer inspires emotion. Emotion implies that we must exist and that this must have meaning. Death and life, hope and fear, sex and loneliness, race and assimilation are juxtaposed. The narrator reaches for the pairs with two arms outstretched. The philosophical effect of these contradictions lies in the poetry.

"No" is the first word of the book. Structurally, poetically, the book revolves around the spoken "no" more than it does around the narrator's decision not to have children. He lives in his "no." The "no" is his suicide. All other words are as a continuous breath that supports the "no" that frames the narrative. And, after this hundred-page sentence, we are left with the impression of a vast silence.

This book, and others by this author, enriched my childhood enormously. As an only child who yearned for adventure, I identified with Kate - as a rather quiet child, I admired and envied both her high spirits and her kind heart. I longed to visit the vast plains of Hungary, so beautifully described and illustrated by Kate Seredy, and to wade in that dangerous river, wear all those petticoats and high red boots, ride a beautiful milky-white horse, and eat delicious sausages, just like Kate did! And Jancsi - who ever had a cousin as wonderful as he? Jancsi's parents' tolerant wisdom, humor and love warmed me as a young reader. In retrospect, I can now clearly see that Kate was not the only child transformed by "the good master"...I also was changed. For life: I became a children's librarian and thus was able to recommend this and so many other good books to literally thousands of children and their families over the years. This is a marvelous book in every way. Highly recommended.

I want to echo the comments made by the other reviewers about this outstanding children's book. I was introduced to this wonderful book by my 4th grade teacher who read it to my class in 1980. One would think that a book written in the 1930's and set on the Hungarian plains in the years just before WWI would not appeal to "modern" children. Yet the entire class loved it. I loved it so much that I later read it several times on my own. This book helped instill in me a deep love of reading which I still have over nineteen years later.

A well-deserved winner of the Newbery Honor Award, "The Good Master" is a forgotten classic. Kate Seredy's work is nowhere near as popular with children as are the works of Blume, Cleary, Dahl, and Wilder. It's a shame because "The Good Master" was as good a book as I ever read as a child and I was also a huge fan of the books of all those other authors. Jansci and Cousin Kate from Budapest deserve to be considered along with Peter and Fudge, Henry, Ramona, and Ribsy, Charlie and Willy Wonka, and the Ingalls family as among the greatest characters in children's fiction.

"The Good Master" is a wonderful book for children (adults, too!) Set in Hungary, it is the story of Jancsi and his cousin Kate, who comes from the city to live with Jancsi's family in the country. Jancsi has been looking forward to having a playmate, but Kate is not exactly what he expected. She is spoiled, wild, and their description of her as a "screaming monkey" is not far off the mark. After a rocky start, Jancsi and Kate learn to get along, and from there they become fast friends. They have plenty of adventures. For example, you will enjoy their trips to the fair and the circus; traditional Hungarian Easter and Christmas celebrations; a horse roundup; Kate's experience with some gypsies; and plenty more. Through the book Kate goes from spoiled and totally bratty to much more caring and kind- though she never loses her high spirits! This is an appealing book because it is so simple and wholesome. Also, since children love stories, "The Good Master" is filled with old stories and tales that the adults in the book tell to Jancsi and Kate. I highly recommend this book to anyone who has grade-school-age children... get it for them! They'll love it!

I've never been to Hungary or had much experience with anyone from Hungary, however I've recently become very interested in this lovely country. This book sounded like a fun and interesting introduction into the social aspect of Hungary (as opposed to architecture and history). The author has a lively and easy-to-read writing style. I would recommend this book and will seek out other books from the "Culture Shock" series.

In preparing for my initial vacation trip to Hungary in August 2003, I read the usual travel guides, Frommer's, The Green Guide, Lonely Planet and best of all, Andras Torok's "Budapest-A Critical Guide". While these books describe the where, Culture Shock-Hungary supplies the who, what, why and how of the magnificent Magyars.

The 2003 New Expanded edition is a joy to read. It's fast paced and lively- a real page turner. It made me laugh out loud several times. The last time I laughed so much while reading a book was when I read "Confederacy of Dunces" some twenty years ago. If this book wasn't part of the Culture Shock series, it may well have been called A Confederacy of Magyars. Read and delight in the sections on Traditions and Values and Image and Self Image to find out.

For a foreigner, the part on the Hungarian language, Magyarul, is especially interesting. Having studied Hungarian for a year when I was in the Army and let it slip away because of non-use, the language section rekindled old memories. The study of the enigmatic Hungarian language could well prove to be a lifelong task although it is said that Sissi(emperor Franz Joseph's wife) learned it in no time flat and became the darling of the Hungarians. This book should be a favorite of Magyarphiles everywhere.

If you are planning a vacation trip to Hungary or do business there ( there is a whole section devoted to business etiquette and customs), read this book to understand what makes Hungary tick.

Seldom does a book that is written for a narrow readership, in this case tourists and businessmen, become a success beyond its intended audience. What elevates "CULTURE SHOCK! HUNGARY" above the level of a Traveller's Guide Series is both the quality of the writing and the intimate knowledge of what overdrives this nation of 10 million restless souls. It is like a firmly held mirror, an unflinching but affectionate insight into the character of a nation.
If you are lucky enough to witness Zsuzsanna Ardo's meticulous undressing of Hungarians and their culture, you realize that she leaves very little mystery for any self-respecting Magyar to hide behind. To the embarrassment, or if you will to the delight of a native, who believes that he or she is comfortable with all the intricate layers of social interactions, the language and the "unpredictable excitement and character building" Hungarian history, even for them the "CULTURE SHOCK! HUNGARY" is full of fresh and original information that provokes conventional wisdom. With her warm satire she is experiencing life head-on in Budapest and the relentless and unavoidable hospitality of the countryside and its people. Whether it be a late evening stroll on the banks of the Danube or on the Margit bridge, challenging snow and ice on the hills of Rozsadomb, or a hot summer swim in Lake Balaton, her eye is always sharp and correct.
"...while surfers get hooked on the gentle waves and brisk breeze in the glaringly corny sunset, complete with golden-red reflections across the calm waters of the lake. No picture postcard of Lake Balaton can be such perfect kitsch as reality itself.."
Most enjoyable are her repeated journeys into the Hungarian psyche which explain and become the basis for all the advice and experiences she provides so abundantly. Her street wise comments on the personal and impersonal ways of greeting someone, the telltale handshakes, the persistent eye contact, the formality of kisses wherever they may land, the invitations and/or the un-invitations to a visit... are like a hilarious anthropological study.
"Some argue that laboring on building and nurturing and consensus-based love relationship with a Hungarian is, overall, like teaching a raven to fly underwater. This is grossly unfair... to the ravens. There is consensus all right as long as you consent to whatever your hero desires..."
"...status markers in social relations (are) a rather sophisticated system for keeping and reducing psychological distance, imposing and refusing hierarchy or intimacy."
Obviously she is afflicted by the same genes of passion, humor and unbridled need to inform and/or set things straight, as the people she is writing about.
"Whenever it is momentarily blue, manic, or depressive, the admirable lack of self-irony with which some Hungarian egos indulge themselves by fits and starts guarantee the heavy-duty nature of their state of mind. ...their oscillations between euphoric drives to get ahead and melodramatic soul-tearing driven by paranoid fatalism are sizzling and spectacular."
Ouch! She exposes universally and correctly the Hungarian nerve; it is up to the reader to differentiate among the joys and obstacles and to decide if he or she is adventurous enough to visit or even to stay in this very hospitable country, better yet, to befriend a "demonstratively woe-stricken... mega-sensitive" Hungarian! Her view is compassionate but sobering of a society where fantasies of even the possibility of grandeur, sentimentality and "an intensely vague discomfort or inarticulate ethnocentricity", is the norm; as if she would say, "I love the place and all of you guys, but you are so..." It is a well deserved roasting. And when she is in her more somber mood, a well deserved warning. Noticing the heavy drinking and smoking and a "decidedly non PC diet" she muses: "Traditionally, many Hungarians embrace premature death with gusto."
"Hungarians eat just about everything that you are not supposed to, prepared in the way it shouldn't be, and consumed in deadly quantities. Naturally, they enjoy it tremendously. And they want to make it sure their visitors enjoy it too."
But her satire is not just idle remarks of society's shortcomings and idiosyncrasies. She admirably provides a long list of agencies and social services where Hungarians, visiting businessmen and tourists can turn to, to redeem themselves.
With her academic background in Linguistics and Literature, Ardo's casual introduction to the Hungarian language, that is difficult by any standard, is like a friendly persuasion. Her unusual but well researched approach is a very convincing short course in Etymology. Surprisingly revealing even for those who think they can speak Hungarian.
Page after page Zsuzsanna Ardo, who was born in Hungary but presently is a British citizen, proves an important point, that only from a safe distance, preferably from as far as possible, can one truly look at his or her homeland objectively.
I would recommend the book to anyone who wishes to have a less bumpy ride through this little country in the Danube basin. It is unfortunate that the book is available only in English, because "CULTURE SHOCK! HUNGARY" should be a must, a specially required and liberating reading for all Hungarians too.
Kid from Pataj, Steven Domonkos.

In the first pages of this book, author Frederic Morton reveals the reason he has such an interest in Austrian history. His grandfather died in World War I and his father came to the United States from Vienna. If you read books such as Rebecca West's Black Lamb and Grey Falcon, you can't help but hate the Habsburg monarchy that ruled for centuries over Austria and much of Eastern Europe. The Austrians shamelessly mistreated their subjects, using divide and conquer strategies to keep their client states in line. The Austrians also looted the distant reaches of their vast holdings for Austrian benefit. Many of the difficulties found in the Balkans today can be traced to the inept government of the Austrian Empire. That's one view. The other can be found in this exquisitely majestic book. This text is not a panegyric to Habsburg rule, however. Rather, it is a tribute to the fabulous city of Vienna during the waning days of empire, when World War I was looming on the horizon of time.

Vienna is presented as an international city that attracted numerous historical figures. According to Morton, within a period of months Vienna was home to Adolf Hitler, Josef Broz (known to history as Marshal Tito), Uncle Joe Stalin, Leon Trotsky and Sigmund Freud. These characters lived out their own private paths to destiny within blocks of each other. Morton really makes these people come alive with his narrative. We see Hitler in a homeless hostel where he has his own personal chair that no one dares to sit in and occasionally launches into oratorical tirades against Jews and foreigners. Tito works at a car factory and likes to scope out chicks on the weekends (which is much easier to do when you don't have a chest full of medals!). Trotsky indulges himself in French literature and lively debate at the cafes, where he has a brief encounter with a dour Stalin. Sigmund Freud engages in an intellectual war with Carl Jung and writes numerous papers in psychology that would come to form much of what the common man knows about that discipline. Stalin arrives to research a pamphlet before returning to Russia and a three-year stretch in Siberia. What all of these stories ultimately prove is that Vienna was truly a hub of Europe and an important city of the time. It's still pretty neat to think about all of these huge figures moving about in the same city at the same time, though. Morton shows us how almost all of these figures were influenced by their time in Vienna. Hitler talks about it in Mein Kampf and Trotsky wrote about it as well. About the only figure that doesn't seem to be changed is Stalin, who stomps and grumbles about in shabby peasant clothes. It was interesting to learn that Stalin beat Lenin at chess seven times in a row, though!

What Morton succeeds in doing with this book is humanizing history. Today we only see Hitler in old newsreel footage screaming his head off at rallies. In Vienna, Hitler often gave money to his fellow boarders who can't afford food or rent. Sigmund Freud, who always looks so stodgy in those old pictures, loved to hunt mushrooms with his children while wearing outlandish local garb. Even the Habsburgs are painted with a brushstroke of decency. Franz Ferdinand, the sullen heir to the throne who was assassinated at Sarajevo in June 1914, comes off much better here than in most history books. Morton paints him as a dove surrounded by hawks. Franz constantly tries to avert war, especially with Serbia. Of particular note is the relationship the archduke had with his wife, Sophie Chotek. Chotek, who Morton constantly refers to as "morganatic," was not of the right blood to marry a Habsburg heir. She rarely got to share in the royal activities, and when she did, courtiers of the archduke's father, Franz Joseph, belittled her endlessly.

The end of the book shows us the dramatic countdown to war, as the archduke and his wife drive to their deaths and into history. The account of the assassination is very interesting and well worth the read. I feel it rivals the Kennedy assassination in terms of sheer incompetence and idiocy. When someone tosses a bomb at the archduke's motorcade, these morons actually continue the procession! Franz Ferdinand's security detail should have been shot for this action alone. Of course, the procession wasn't stopped and the result was war. The whole mess reeks of conspiracy.

This is an excellent book that can really spark an interest in history. Morton uses lots of sources, such as newspapers, to convey the actual feel of the time. A few pictures thrown in helps to place faces with names. Often, Morton tells us what the weather was like on a certain day before he unfolds the events. This gives the text an insight often missing in scholarly accounts. We can almost see things happening. That being said, this really isn't a book I would use for research. It is more of an interpretative text to provide entertainment. If I were teaching a class on this time period, I would assign this book in conjunction with other, more serious books. Very nice, indeed!

A wonderful book written about the cosmopolitan city of Vienna before the outbreak of WWI. Morton's style of writing makes this an enjoyable read this is not dry history. In 1913 Vienna was host to men who would make an indelible impression on the 20th century. Just to name a few, Lenin, Trotsky, Stalin, Hitler, Tito, Freud, and the Hapsburg Royal family all within one square mile of each other. Morton gives a good portrayal of the lives of these men during their formative time spent in Vienna. He also gives a good account of the tension between Arch Duke Franz Ferdinand who wanted to reform the Austro-Hungarian Empire to include the room for nationalist aspirations of the Slavs, and Emperor Franz Joseph who wanted to maintain the status quo. I t makes one wonder how European history might have been different if Franz Ferdinand had not been assassinated and was given the chance to reform the Empire.

As a retired Army officer and political philosopher,I recommend this book to all who are interested in history of WWI or to those who want to learn more about the "gilded age" of Europe.

An excellent and lovely book that reads almost like a novel, it is also an alarming book if you read it, as I did, in the aftermath of September 11, 2001. The diplomatic and military blunders that produced World War I seem, at this moment, to provide a kind of blueprint for starting a war that no one really wants to start. Some of the correspondences between then and now are startling--for example, the super-ultimatum given to the offending country with the expectation that the terms cannot be met. Altogether I would rate this book higher than Barbara Tuchman's The Guns of August, though, to be fair, Tuchman's book is more of a military history and gives only a tiny look at the opening shots of WWI--the murder of the Archduke who was the heir to the Austrian throne--whereas Morton's book establishes the Archduke Franz Ferdinand as a major character in the narrative, then reveals that the Archduke was (ironically) a pacifist who was trying to avert a war in Europe, and then places the Archduke's story in the context of the larger story of Vienna, Austria and Europe. One of the many pleasures that the book offers is an evocative look at the old, whimisical royalty-besotted Vienna just as it was begetting the new Europe--Freud, Trotsky, and Stalin all figure in the story of pre-WWI Vienna as do a number of other major political and artistic figures. Vienna was a prosperous, beautiful, pleasure-loving city that perversely found a way to start a horrific and self-destroying war.

This book should be read by everyone. It is informative, well written, and provides information one one of the true heros in the history of mankind. If you read "Shindlers Ark" (or saw the movie) you'll really enjoy this book.

As a parent, I know how hard it is to find excellent, high-quality nonfiction books for older children who are at an in-between stage - not quite ready for adult books but too old for "juvenile" books. This true account of Raoul Wallenberg, a man who saved more than 100,000 Jewish men, women and children from extinction during the Holocaust, is gripping and well-written. My kids could NOT put it down and one of them is a reluctant reader, so that says a lot right there. Watching my reluctant reader with his eyes glued to the page compelled me to pick up the book myself and I was glad I did. The author has used actual archival materals and even interviewed Wallenberg's family and friends. There are also photographs included, a special touch that brings a sense of immediacy to the past. Perhaps most importantly, the author has not "talked down" to the older children who are most likely to read this book (although it could be read aloud to younger ones). Adults, too, would find this one fascinating to read. A strong recommendation for this one!

Raoul Wallenberg was just one Swede, and that one Swede saved over 100,000 Jewish people from certain death at the merciless hands of Adolf Eichmann. To this day no one knows what the fate of Wallenberg is. This book was wonderfully written and didn't even seem as though it was non-fiction! I loved this book and I recommend this book to anyone.

I Have Lived a Thousand Years by Livia Bitton-Jackson retraces the steps of a girl, Elli, and her family during the Holocaust. The family is forced to endure extreme humiliation. They are then herded into the cramped Ghetto's. Living conditions are unbearable and there food is unsanitary. The next hurdle is concentration camps were families and friends are separated. You are now no longer an individual only a number with no possessions. Elli learns to go on even if you have no reason. Through all this Elli has been able to shed some light on a bad situation and make it worth living. She, along with her mom and brother, are able to make it against all odds.
I Have Lived a Thousand Years is a good book to read or buy. You are really taken into the time and you feel as though you are there with her. Although you may stumble on some of the words it is worth the trouble. The story is one a tragedy and of hope.

I originally read this book for a huge research project I didin 8th grade, and found it to be one of the most capturing books Ihave ever read, Ellike has gone through one of the most horrifying experiences in our world's history, and she should be recognized for the fact that she was one of the lucky ones. She lost her her life, her childhood, and everything that she held dear. This is something no one should go through, no matter what their beliefs. She tells her story with such vivid detail, it's hard to comprehend what life was really like during the holocaust. Sometimes the content makes it seem like this really didn't happen, because of the abuse and torture from the German Military. I have read this book many times and each time I read it there is something new I get out of it. I would highly recommend this to anyone, whether they have an interest in the 1940's or not.

This book was a very interesting and disturbing book. It isscary to think that the Nazis could actually dehumanize the Jews likethey did in the book. I could not stop reading this book. It only took me two nights to read because I could not put the book down. I recommended this book to many of my friends and to my teachers. I liked this book because I am Jewish and I like to learn about the Jewish heritage, even the bad parts. I have been studying about the holocaust ever since I started school, and this book gave me more thoughts about the Holocaust than anything else I read at school. This book is good at explaining how the Jews survived and how they died in the Holocaust. It also explained how they kept their hope. Elli and her mother have a very interesting story. It is interesting that they went through so many camps and survived. The fact that this book is a true story tears my heart. All in all, this book was an amazing book and I would recommend it to anybody. BUY THIS BOOK!

hello, my name is nina. i liked this book because it is educational yet adventurous. it was unpredictable, i never knew what would happen next. the reason i rated it a three was because some parts were not well explained and every now and then i would get lost and have to re-read some sections. otherwise this was a magnificent, adventurous tale and i would recommend it for older children and young adults.

For me, this book is a "Gone With The Wind" with young adults in mind, but great for all ages. Like the "Little House ..." books, it describes the rural life of a family and village before industrialization changed everything. The quality of life these people had, despite the workload, is something to be admired.

The book is a wonderful sequal to "The Good Master," another wonderful tale. While the first book is more of a typical chidren's book, this one is much more of an epic as the family deals with the ravages of war. The themes of tolerance and family values are well expressed without ever getting preachy.

Kate and Jancsi are fantastic characters for children to identify with, and the adults make fine examples for them to look up to. The illustrations are wonderful. This book will make you laugh, cry and everything in between. It's one of the books I re-read every now and again, and it's stood the test of 30+ years worth of reading. I treasure it.

I bought this & The Good Master for my daughter many years ago. These books have always had a special place in my heart because of their "readability". The stories are about growing up and being loved and all that after much disruption in a young life. There is a message of hope and love that is good and kind and there is also a clear and warm picture of what life could have been like in pre-World War 1 Hungary. The illustrations are as outstanding as the story. I love reading it to children, gives me an excuse for re-reading it myself. The second book is more serious as the children grow up and war intrudes but life is like that, isn't it.